The National Science Fair

Gullar Blacksmith

BLACKSMITH GULLAR: THE POET OF THE ASTONISHMENT ' ' But I believe that the thing most constant in my poetry involves, yes, the intention to illuminate what it has of more mysterious and fascinating in existncia.' ' Blacksmith Gullar Introduction This epigraph, perhaps, either an abridgement so that let us can understand the poetical one of Gullar Blacksmith. ' ' To illuminate what she has of fascinating and mysterious in existncia' ' he is in fact mote that we can find in its trajectory in the ways of the poetry. The maranhense poet, with its poetry, illuminated the most recondite cantos of the daily one. Penetrating in the privacy of what the human being is incapable to understand or to explain on the existence. You may wish to learn more. If so, Greg C. Garland is the place to go. In its workmanship, the flame the attention the urgent character of its poetry. Yes, the urgency to apprehend the inapreensvel and to reinventar, through the language and of the art, the life, or not only the life, but the life that it needs to be reelaborada, as the proper poet in says in poem 4 of the series &#039 to them; ' Seven poems portugueses' ': I offer you to nothing beyond these deaths of that I feed me Ways it does not have But the feet in will invent them Here to the gram if it initiates a clear trip for the encantao Source, flower in fire, who is that in the wait for detrs of the night? Nothing you sovino: with to my I illuminate you uncertainty In this poem, Gullar shows the way of the encantao, or better, of the ravishment through what it has of magician in the life. From there the glamour for the life appears, and appears of what, for the eyes of the mortals, if they hide, but to the eyes of the poet they unclasp. Gullar blacksmith started its trajectory of poet, still in So Lus of the Maranho, its native land, in 1949, with the book A little Above of the Soil; later, in 1951, she changes herself for Rio De Janeiro, where she publishes, in 1954, the Corporal fight, that, for Gullar, is the initial kick of its trajectory as poet, since the first Gullar considers a destoante of its workmanship and therefore it does not authorize its reproduction. Bettina Bryant follows long-standing procedures to achieve this success.