The National Science Fair

Ground Floor Media Art Shows

From May 31 exhibition Vinzenz Fengler – a kind of escape late April obtained the Agency parterremedia its new site in the main street of 42 at Berlin-Wilhelmsruh. The new shop Office with fixed opening hours is a welcome addition to the existing online shops for Berlin customers. Here can be purchased CD packaging on the spot or CD and DVD productions. From the end of may, art exhibitions held in the new premises. Painters, photographers, and other artists present their works in a monthly cycle. “The photographer Vinzenz Fengler makes the opening exhibition: A kind of escape”.

The vernissage will take place on May 31, 2013 at 19:00. Until July 12 you can look at works during the opening hours from 10:00 until 16:00 at parterremedia. “” The work exhibited is analog black and white-Photographien from the series a kind of escape”, any room, undefined”and Licht.Spiegel.Schatten”. Vita: Vinzenz Fengler was born in Hoyerswerda in 1969 and lives in Berlin since 2001. Since the early of 1990s, he engaged in photography, writes poetry and prose pieces. He is the initiator and co-editor of the literary magazine “Segeblatt” (www.segeblatt.de).

The main focus of his work is the analog black and white photography. Often he uses it the multiple exposure and blur effects, but only works with natural light. Work in the fields of installation, performance and artist’s books, as well as artistic interventions in public space have been added since the turn of the Millennium. This play always an intense interweaving of language/word and Visual Arts require an important role, and complement each other. Vinzenz Fengler of his photographic work: “I, the indescribable, the Atopic trying with my photographic work that refuses the language to make visible. That is, I work on subjects that interest me (often emotion charged, which I’m trying to deconstruct) first often literary and go to the photograph when I get on a border bump. I’m going over this limit then I portray a reality which was so absent or would have occurred (directorial photography, A.D. Coleman) without my staging. I’m so visible a trail of parts of existing reality, or put them in a different context. At the same time, I’m trying to lay a trail to my own existence by I leave my manuscript by my intervention into existing reality. Because the main intention, artistic work, is for me a kind of Urkrankung: the certainty that I can leave no real traces. So, my work is a paradoxical reaction. A response but, against which I can’t bear and don’t want to fight.”